Showing posts with label consumer. Show all posts
Showing posts with label consumer. Show all posts

Friday, November 19, 2010

Photography: Robert Frank



This week in Art History 206 we covered Postwar to Postmodern, 1945-1980. Each week we submit our personal response the work we have the strongest reaction to. I chose this photograph by Robert Franks. I feel this excerpt from our textbook lends the image much more depth:

"Frank used his work to reflect his concerns about alienation and lack of spirituality in twentieth-century America. Drug Store, Detroit is characteristic of his national portrait of emptiness, alienation, and despair. Under a barrage of bold advertising, some 15 men order, among other items, artificial orange whips, each patron seemingly unaware of the others. On the other side of the counter dutifully serving the white males are African-American women, undoubtedly working for a minimum wage. Just as the cake is trapped in the airless foreground case, the waitresses seem trapped behind the counter in the drudgery of the menial jobs. The glare of bare florescent bulbs bouncing off linoleum, Formica, and plastic is a reminder of the period's deadening aesthentic of efficiency and modernity, while the monotonous lineup of jukeboxes on the counter opposite the patrons underlines the "sell, sell, sell" mentality of American business. It should come as no surprise that the downtown Detroit where this photograph was taken was largely destroyed during the race riots of the late 1960s." (Janson's History of Art, 8th Ed.)

Image - Drugstore, Detroit, 1955, © Robert Frank, from The Americans
Image Source - DIA (Detroit Institute of Photography) Blog


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Thursday, November 19, 2009

reader response: chapter 6 media & life



Last week I went off an older copy of our syllabus and as a result, I read the wrong chapter in our text. That being said, I did read chapter 6, and learned a number of things about media in general, the idea and origins of "mass media", and convergence of media forms with the advent of each new technology in the 20th-21st centuries. These, then, are my reflections on chapter 6.

The more technology grows and advances, the more exposure we have to media. This can be both a good thing, and a bad thing. Today's society has a more interactive experience with visual media which involves complex interconnecting networks. A shift has happened from mass-media consumers to niche markets, also known as contemporary media.



The "masse
s" was the term created in the late-19th century which refers to the structures of society during the industrial revolution, the emergence of the working class, and how that influenced social practices. The term, Mass Media was first used in the post-WWII era. The masses can be taken as a negative connotation equating to a passive audience of non-individualized, uncritical consumers. What was/is considered as mass society reaches into both private and public realms. Large companies with corporate boards versus small, locally owned businesses resulting in less personalized service. Urbanization versus rural towns contributing to population crowding, lack of personalization, alienation, assembly-line work, and boring, repetitive, often physical ("blue collar") type jobs.



The idea of mass
society can also be thought of as a contribution to the erosion of family life. Again, this started around the era of industrial expansion due to the migration of families from rural areas into the cities. Their pursuit was for better housing, the promise of steady work, and access to modern goods, services and entertainment. Starting in the 1950s, and continuing today, what we know as the American Suburb, can be linked to a social alienation via "cheap" entertainment--films, TV, consumerism, and modernity are all used as replacements for connectivity with other people.



Mass media in the 1920s consisted of regularly scheduled programming, from a one-way (bias) broadcast model, at a central distribution source (newspaper, radio), which fostered a less critical audience. Mass media in the 1980s up to the present decade has increased our options for information with the invention and expansions of TV, cable TV, film, mobile devices, cell phones, Internet and satellite broadcasting. Along with these expansions has come more specific media catering to interests, tastes, and language groups. In addition, today's consumer is not just interacting but also producing much of the media in mainstream, everyday life.



While seeking images to include with this post, I discovered an interesting post on this blog. The author, Anne Helen Peterson of the University of Texas, makes some great observations about the modern equivalent of Mass Society--what she calls the "Minivan Majority".

It’s hard to define the minivan majority in a sentence, so I’ll start with some descriptors. Not all of these are necessary true of everyone in the minivan majority — and if some of them describe you, that does not necessarily mean you’re in the minivan majority (and I want to make it clear that I don’t dislike or disdain the minivan majority — but it’s important to know the identity of those quietly driving taste and entertainment in the country.)

Some traits of the minivan majority:

  • You probably live in a non-urban space — either suburban or rural, but most likely suburban.
  • You are probably white.
  • You have no radical convictions. You are neither an arch conservative nor strong liberal. In other words, you are probably a self-described ‘moderate.’
  • You love pictures of babies. Especially celebrity babies.
  • You believe things that appear in print in the gossip magazines.
  • You are not overtly racist, sexist, or homophobic, but you might subconsciously discriminate against people who are different than you or the people that you know and see on an everyday basis.
  • You don’t like things that are too much: too gross, too sexual, too outrageously expensive.
  • You might own something from Ikea. You definitely own things from Target or Wal-Mart.
  • You style is a combination of Gap, Banana Republic, Ann Taylor Loft, Talbots, Coldwater Creek [and I'm adding Old Navy, Eddie Bauer, and if a Pacific NW dweller, Columbia Sportswear].
  • You are a parent.
  • You probably battle your weight, even if it’s just those pesky ten pounds.
  • You may own a minivan — or if not, a similar SUV type vehicle.
  • You believe that people of any race, color, creed or background can make something of themselves with hard work.
  • You believe in a higher power — most likely God — even if you don’t necessarily go to church every week [you are likely to make an appearance at Christmas and Easter].
  • You are not generally an early adopter — of a technology, a political candidate, a new fad, etc.
  • You enjoy the reliability of moderately price, moderate quality chain restaurants, [hotels, cars, appliances, housewares, clothing] and all-inclusive vacations.
  • You have a subscription to Cooking Light and/or may contribute recipes regularly to allrecipes.com

Swing

Good clean fun in Gap khakis.

Now, some media products favored by the minivan majority:

  • Jennifer Aniston
  • Julia Roberts
  • Tom Cruise
  • Michelle Obama
  • Celebrities who hit their career pinnacle about 10-15 years ago
  • National Treasure (and other Nicholas Cage movies)
  • Marley and Me
  • Reese Witherspoon
  • Jennifer Garner
  • Michael Buble/Josh Groban
  • Norah Jones
  • Dave Matthews Band
  • Two and a Half Men
  • Desperate Housewives
  • [Ghost Whisperer, Medium, Heroes]
  • Sex and the City (latecomers — started watching Season 3 or later)
  • Network television in general
  • Jay Leno
  • Martha Stewart and/or Rachel Ray
  • Oprah, Oprah, Oprah. Oprah’s Bookclub, Oprah’s magazine, things recommended by Oprah.
  • Entertainment Tonight, [annual music/film/TV celebrity award shows/ceremonies]
  • People especially, maybe Us magazines.
  • Nicholas Sparks novels and film adaptations
  • American Idol, Dancing with the Stars, The Bachelor/Bachelorette -- [Project Runway, America's Next Top Model, The Amazing Race, SURVIVOR, Big Brother, CSI, The Biggest Loser, Wife Swap, Extreme Makeover--any edition.]
[ ] = my additions.
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